The concentration in Comparative Literature enables students to study an illustrative range of literary topics and to develop a focused critical understanding of how cultures differ from one another and what those differences mean. Our courses provide opportunities to engage with literary works across linguistic and cultural boundaries, exploring the traditions and innovations of the literatures of the world.
In the spirit of Brown’s Open Curriculum, a concentration in Comparative Literature affords great academic freedom. Advanced literature courses from any literature department at Brown count for concentration credit. Any language —ancient or modern—supported at Brown may form part of a Comparative Literature concentration program. All students take a course in literary theory and have the opportunity to complete a senior essay.
There are three concentration tracks and requirements:
- Track 1: Comparative Literature in Two Languages
- Track 2: Comparative Literature in Three Languages
- Track 3: Literary Translation
Genre and Period Requirements for all concentrators:
- One course in each literary genre (poetry, narrative, and drama/film)
- Courses must cover at least three different historical periods (such as, Antiquity; Middle Ages; Renaissance/Early Modern; Enlightenment; Modern: 19th-21st centuries).
Prerequisites in languages:
Students must demonstrate proficiency in the languages of their selected literatures. We recommend that prerequisite(s) for taking 1000-level courses in their languages be completed by Semester V.
Students working in non-European languages may be allowed more latitude; be sure to be sure to consult a concentration advisor about constructing an individualized plan.
Selecting literature courses in your language areas:
Readings must normally be in the original language. If English is one of your languages, courses need to be devoted chiefly to literature originally written in English.
Transfer of Credits:
Two courses per semester of study abroad may be applied to the concentration, up to a total of four courses (for two semesters abroad). A maximum of five courses from external venues (study abroad; transfer credits from other institutions, including summer study) may be applied to the concentration.
Joint or Double Concentration:
Joint or double concentration programs may also be arranged. Students may also combine a concentration in Comparative Literature with a teaching certificate in English or a modern language. A student interested in such a program should consult the advisor in the Education Department and the advisor in Comparative Literature as early as possible (preferably by Semester V). In accordance with University policy, double concentrators are allowed a maximum overlap of two courses between concentrations.
Track 1: Concentration in Comparative Literature in two languages
Requirements
| COLT 1210 | Introduction to the Theory of Literature | 1 |
| TWO literature courses taught above the 1000-level in the first chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| TWO literature courses taught above the 1000-level in the second chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| FIVE electives. Courses taught in Comparative Literature and other literature courses at any level (below or above 1000) may satisfy this requirement. | 5 | |
| Total Credits | 10 | |
| Examples of courses that may fulfill the requirements, above, include but are not limited to the following. Students are encouraged to discuss class choices with their advisor. | ||
| The World of Lyric Poetry | ||
| Fidel Castro and Che Guevara, The Men and the Myths | ||
| The 1001 Nights | ||
| Reading the Renaissance | ||
| Rites of Passage | ||
| Before Wikipedia | ||
| Introduction to Scandinavian Literature | ||
| New Worlds: Reading Spaces and Places in Colonial Latin America | ||
| A Comparative Introduction to the Literatures of the Americas | ||
| Fan Fiction | ||
| Comedy from Athens to Hollywood | ||
| The Arabic Novel | ||
| Off the Beaten Path: The Diversity of Modern Japanese Literature | ||
| Writing Love in Korean Literature | ||
| How Not to Be a Hero | ||
| Tales and Talemakers of the Non-Western World | ||
| The Pursuit of Happiness | ||
| Uncanny Tales: Narratives of Repetition and Interruption | ||
| Classical Mythology and the Western Tradition | ||
| Reading Art in Literature | ||
| The Epic Tradition: from Homer to Milton | ||
| Introduction to the Theory of Literature | ||
| Silk Road Fictions | ||
| The Arab Renaissance | ||
| Global Modernism and Crisis | ||
| Classical Tragedy | ||
| Fantastic and Existentialist Literatures of Argentina, Uruguay and Brazil | ||
| Proust, Joyce and Faulkner | ||
| Modernisms North and South: Ulysses in Dublin, Paris, and Buenos Aires | ||
| The Modernist Novel: Alienation and Narration | ||
| Reading the Short Story | ||
| Art and Exemplarity in Medieval and Early Modern Literature | ||
| Critical Approaches to Chinese Poetry | ||
| Poetry of Europe: Montale, Celan, Hill | ||
| Modern Arabic Poetry | ||
| Poets, Poetry, and Politics | ||
| Reading Modernist Poetry | ||
| Nationalism and Transnationalism in Film and Fiction | ||
| The Listener (Literature, Theory, Film) | ||
| Shéhérazades : Depicting the "Orientale" in Modern French Culture | ||
| Irony | ||
| The Promise of Being: Heidegger for Beginners | ||
| Literary Translation Workshop | ||
| Exercises in Literary Translation | ||
| Fiction and History | ||
| Freud: Writer and Reader | ||
| Literature and Medicine | ||
| Travel, Tourism, Trafficking through the Ages | ||
| Literatures of Immigration | ||
| Making a List | ||
| Early Modern Women's Writing | ||
| The Balkans, Europe's Other?: Literature, Film, History | ||
| Politics of Reading | ||
| Encountering Monsters in Comparative Literature | ||
| Literary Translation | ||
| Translation: Theory and Practice | ||
| New Directions for Comparative Literature | ||
| Discourses of the Senses | ||
| Historical Form | ||
Track 2: Concentration in Comparative Literature in three languages
Requirements
| COLT 1210 | Introduction to the Theory of Literature | 1 |
| TWO literature courses taught above the 1000-level in the first chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| TWO literature courses taught above the 1000-level in the second chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| TWO literature courses taught above the 1000-level in the third chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| THREE electives. Courses taught in Comparative Literature and other literature courses at any level (below or above 1000) may satisfy this requirement. | 3 | |
| Total Credits | 10 | |
| Examples of courses that may fulfill the requirements, above, include but are not limited to the following. Students are encouraged to discuss class choices with their advisor. | ||
| The World of Lyric Poetry | ||
| Fidel Castro and Che Guevara, The Men and the Myths | ||
| The 1001 Nights | ||
| Reading the Renaissance | ||
| Rites of Passage | ||
| Before Wikipedia | ||
| Introduction to Scandinavian Literature | ||
| New Worlds: Reading Spaces and Places in Colonial Latin America | ||
| A Comparative Introduction to the Literatures of the Americas | ||
| Fan Fiction | ||
| Comedy from Athens to Hollywood | ||
| The Arabic Novel | ||
| Off the Beaten Path: The Diversity of Modern Japanese Literature | ||
| Writing Love in Korean Literature | ||
| How Not to Be a Hero | ||
| Tales and Talemakers of the Non-Western World | ||
| The Pursuit of Happiness | ||
| Uncanny Tales: Narratives of Repetition and Interruption | ||
| Classical Mythology and the Western Tradition | ||
| Reading Art in Literature | ||
| The Epic Tradition: from Homer to Milton | ||
| Introduction to the Theory of Literature | ||
| Silk Road Fictions | ||
| The Arab Renaissance | ||
| Global Modernism and Crisis | ||
| Classical Tragedy | ||
| Fantastic and Existentialist Literatures of Argentina, Uruguay and Brazil | ||
| Proust, Joyce and Faulkner | ||
| Modernisms North and South: Ulysses in Dublin, Paris, and Buenos Aires | ||
| The Modernist Novel: Alienation and Narration | ||
| Reading the Short Story | ||
| Art and Exemplarity in Medieval and Early Modern Literature | ||
| Critical Approaches to Chinese Poetry | ||
| Poetry of Europe: Montale, Celan, Hill | ||
| Modern Arabic Poetry | ||
| Poets, Poetry, and Politics | ||
| Reading Modernist Poetry | ||
| Nationalism and Transnationalism in Film and Fiction | ||
| The Listener (Literature, Theory, Film) | ||
| Shéhérazades : Depicting the "Orientale" in Modern French Culture | ||
| Irony | ||
| The Promise of Being: Heidegger for Beginners | ||
| Literary Translation Workshop | ||
| Exercises in Literary Translation | ||
| Fiction and History | ||
| Freud: Writer and Reader | ||
| Literature and Medicine | ||
| Travel, Tourism, Trafficking through the Ages | ||
| Literatures of Immigration | ||
| Making a List | ||
| Early Modern Women's Writing | ||
| The Balkans, Europe's Other?: Literature, Film, History | ||
| Politics of Reading | ||
| Memory, Commemoration, Testimony | ||
| Encountering Monsters in Comparative Literature | ||
| Literary Translation | ||
| Translation: Theory and Practice | ||
| New Directions for Comparative Literature | ||
| Discourses of the Senses | ||
| Historical Form | ||
Track 3: Concentration in Literary Translation
Requirements
| COLT 1210 | Introduction to the Theory of Literature | 1 |
| Literary Translation (COLT 1710) | 1 | |
| At least one course in linguistics (including COLT 2720 Literary Translation and history of the language courses). This may be taken at any level. | 1 | |
| At least one workshop in Literary Arts. This may be taken at any level. | 1 | |
| TWO literature courses taught above the 1000-level in the first chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| TWO literature courses taught above the 1000-level in the second chosen literature. (Courses may be taken in any literature department, and may fall under such courses codes as COLT, ENGL, FREN, HISP, CHIN, RUSS, GRMN, etc.) | 2 | |
| TWO electives. Courses taught in Comparative Literature and other literature courses at any level (below or above 1000) may satisfy this requirement. | 2 | |
| A senior thesis, eligible for Honors, consisting of substantial work in translation with a critical introduction. Completing a thesis is required of all Track 3 students but does not guarantee departmental honors. | ||
| Total Credits | 10 | |
| Examples of courses that may fulfill the requirements, above, include but are not limited to the following. Students are encouraged to discuss class choices with their advisor. | ||
| The World of Lyric Poetry | ||
| Fidel Castro and Che Guevara, The Men and the Myths | ||
| The 1001 Nights | ||
| Reading the Renaissance | ||
| Rites of Passage | ||
| Before Wikipedia | ||
| Introduction to Scandinavian Literature | ||
| New Worlds: Reading Spaces and Places in Colonial Latin America | ||
| A Comparative Introduction to the Literatures of the Americas | ||
| Fan Fiction | ||
| Comedy from Athens to Hollywood | ||
| The Arabic Novel | ||
| Off the Beaten Path: The Diversity of Modern Japanese Literature | ||
| Writing Love in Korean Literature | ||
| How Not to Be a Hero | ||
| Tales and Talemakers of the Non-Western World | ||
| The Pursuit of Happiness | ||
| Uncanny Tales: Narratives of Repetition and Interruption | ||
| Classical Mythology and the Western Tradition | ||
| Reading Art in Literature | ||
| The Epic Tradition: from Homer to Milton | ||
| Introduction to the Theory of Literature | ||
| Silk Road Fictions | ||
| The Arab Renaissance | ||
| Global Modernism and Crisis | ||
| Classical Tragedy | ||
| Fantastic and Existentialist Literatures of Argentina, Uruguay and Brazil | ||
| Proust, Joyce and Faulkner | ||
| Modernisms North and South: Ulysses in Dublin, Paris, and Buenos Aires | ||
| The Modernist Novel: Alienation and Narration | ||
| Reading the Short Story | ||
| Art and Exemplarity in Medieval and Early Modern Literature | ||
| Critical Approaches to Chinese Poetry | ||
| Poetry of Europe: Montale, Celan, Hill | ||
| Modern Arabic Poetry | ||
| Poets, Poetry, and Politics | ||
| Reading Modernist Poetry | ||
| Nationalism and Transnationalism in Film and Fiction | ||
| The Listener (Literature, Theory, Film) | ||
| Shéhérazades : Depicting the "Orientale" in Modern French Culture | ||
| Irony | ||
| The Promise of Being: Heidegger for Beginners | ||
| Literary Translation Workshop | ||
| Exercises in Literary Translation | ||
| Fiction and History | ||
| Freud: Writer and Reader | ||
| Literature and Medicine | ||
| Travel, Tourism, Trafficking through the Ages | ||
| Literatures of Immigration | ||
| Making a List | ||
| Early Modern Women's Writing | ||
| The Balkans, Europe's Other?: Literature, Film, History | ||
| Politics of Reading | ||
| Memory, Commemoration, Testimony | ||
| Encountering Monsters in Comparative Literature | ||
| Literary Translation | ||
| Translation: Theory and Practice | ||
| New Directions for Comparative Literature | ||
| Discourses of the Senses | ||
| Historical Form | ||
Notes:
Honors in Comparative Literature
Students in all tracks may earn honors in the concentration by successfully completing a thesis that is granted honors upon submission. Completing a thesis in any track does not guarantee departmental honors. Honors are granted upon the recommendation of the two thesis readers.
Tracks 1 & 2. Theses are analytical studies of literary topics, comparative in nature, based upon research, and usually between 50 and 100 pages. They are usually composed of 3 chapters, with an introduction and a conclusion. Students are expected to choose a topic that involves work in each of the literatures of their concentration in the original language.
Track 3. Theses consist of a substantial work in translation with a critical introduction outlining the method used and specific problems encountered, and commenting on the history of the original work together with other translations, if any.
(See detailed Guidelines for Honors Theses in Comparative Literature on Departmental website).
Capstone option
Students in Tracks 1 & 2 not taking Honors are urged, but not required, to complete a senior essay, which may be less extensive in scope and length than the Honors thesis but which should constitute an integration of some aspect of their study.